Allan Wexler
Allan Wexler (b. 1949) has worked in the fields of architecture, design, and fine art for over fifty years. In the late 1960s, he was an early member of the group of architects and artists who questioned the perceived divide between art and the design disciplines. They called themselves non-architects or paper architects. In 2017, Lars Müller published Absurd Thinking: Between Art and Design, a book on Wexler’s work and creative process. The book features projects developed across the artist’s career that mediate the gap between fine and applied art using the mediums of architecture, sculpture, photography, painting, and drawing.
Wexler earned his Bachelor of Fine Arts (1971) and his Bachelor of Architecture (1972) from RISD and his Master of Architecture from Pratt Institute (1976). He is a recipient of a Guggenheim Fellowship (2016), is a Fellow of the American Academy in Rome, and a winner of both a Chrysler Award for Design Innovation and the Henry J. Leir Prize from the Jewish Museum. He has executed public art commissions at several locations, including Hudson River Park at 29th Street (2006), Atlantic Terminal, Long Island Railroad (2009), and Pratt Institute (2008, 2012).
He has exhibited nationally and internationally, including La Arsenale, Biennale Architettura, Venice, IT; The Contemporary Jewish Museum, San Francisco, CA; Museum of Contemporary Art Chicago, Chicago, IL; Walker Art Center, Minneapolis, MN; Mattress Factory, Pittsburgh, PA; Parrish Art Museum, Southampton, NY; San Francisco Museum of Art, San Francisco, CA; Karl Ernst Osthaus Museum, Hagen, DE; De Cordova Museum and Sculpture Park, Lincoln, MA; The Jewish Museum, New York, NY; among many others. Wexler currently teaches at Pratt Institute in Brooklyn, New York.
-
Conic Landscape – Solid Void, 2024
-
Landscape Props, 2024
-
Conic Spiral, 2022
-
Mapping, 2022
-
Platonic Landscape, 2022
-
Speakers, 2022
-
Extruded Dinnerware, 2021
-
Light Table, 2021
-
Body / Glassware Studies, Breath, 2018
-
Body / Glassware Studies, Carry, 2018
-
Body / Glassware Studies, Hear, 2018
-
Breath, 2018
-
Sabbath Cell Phone Silencer, 2017
-
Body / Glassware Studies, See, 2016
-
Cones of Vision, 2016
-
Reframing Nature, 2015
-
Sheathing the Rift, 2014
-
Interchange, 2008
-
Burnt Chair / Charcoal Drawing, 2007
-
2 x 4 with cutout, 1997-1998
-
Paper 2 x 4, 1997-1998
-
4 Collars Sewn into a Tablecloth, 1991
-
4 Handled Broom, 1991
-
4 Shoes Connected Together, 1991
-
Four People Watching a Television, 1991
-
Four People Wearing a Television, 1991
-
Coffee Seeks Its Own Level, 1990
-
Set C, 1989
-
Set D, 1989
-
Set E, 1989
-
Set L, 1989
-
Set T, 1989
-
Set W, 1989
-
Tea With Strangers
A New Futurist Cookbook by artist Allan Wexler in collaboration with Michael YarinskyOctober 17, 2024 -
NOW REPRESENTING ALLAN WEXLER
March 23, 2024 -
On Dining as Interface
The artist and architect Allan Wexler on what connects us.Michael Yarinsky, MOLD, January 30, 2024 -
INDEPENDENT 20TH CENTURY MADE MODERN ART CONTEMPORARY AGAIN
Vittoria Benzine , FAD Magazine, September 12, 2023
-
Finding humour in New York's Independent 20th Century fair
Elena Goukassian, The Art Newspaper, September 8, 2023 -
At Independent 20th Century, a Rewarding Roster of Self-Taught Artists Share the Spotlight With a Conceptual Coffee Klatch
Annie Armstrong, artnet, September 7, 2023 -
Guide to Armory Week 2023
the PR Net, September 6, 2023 -
With Independent 20th Century, Elizabeth Dee Makes it About Historical Reconsideration
KATY DONOGHUE, Whitewall, September 6, 2023